At last, some comic book news that isn't centered around Batman or Spider-Man! Omelete got their hands on some official images from two of Warner Bros' upcoming comic flicks, Jonah Hex and The Losers.

We've seen paparazzi glimpses from the Hex set of Megan Fox and Josh Brolin, but there's nothing like a well-lit and spooky shot, especially when your actor looks good enough to have walked off the page. If you're a fan of the haunted gunslinger and are unconvinced, you might be comforted by the sight of his Confederate gray and mangled lip. I can't say how excited I am for this film. Jonah Hex is a character who has more in common with High Plains Drifter than the capes and superpower crowd, and I think that will surprise and delight a lot of "newbies" who still equate DC Comics with Batman.

Next up, we have our first official look at The Losers! Aren't they a handsome bunch? This is based not on the DC war squad from the 1970s, but on the Vertigo spinoff by Andy Diggle. The Losers are a Special Forces team abandoned and left to die by their mysterious commander, Max. They regroup, vow revenge, and let the bullets fly. I have hopes that this one will be a solid action flick, the kind we all long for from the 1980s. The cast is certainly a lovely one: Jeffrey Dean Morgan, Zoe Saldana, Chris Evans, Columbus Short, Idris Elba, and Oscar Jaenada are our fine Losers, and Jason Patric will be the villainous Max. You can see the whole line-up of them here, along a very sexy shot of Saldana. Even I can appreciate a lovely lady when she's packing guns. Now, if they'll just release a photo of Morgan to match ...

The photos are below in our gallery. Spend your Turkey Day geeking out.

In all of your viewings of Up, did you ever wonder what happened to the Shady Oaks employees who helplessly watched as Carl floated up, up, and away? Well, wonder no more. Pixar wrote and animated a little short called George and AJ that answers all your questions, and then some. Watch carefully when Carl's house soars over their heads -- you'll see an angle that reveals just where one particular character was hanging on for dear life.

What's really cute about this short is that it isn't just about George and AJ, but what the entire city thought of Carl's flying house. Up never stopped and went back to North America to see if anyone noticed his unusual method of flight (and very wisely, too), but this spin-off deals with some of the ramifications. It's funny and moving, and makes for a bittersweet commentary on just how we deal with the elderly members of our society.

Now, if we can just get a spin-off that tells what Russell's mother thought about her son's prolonged absence. Somehow, I don't think any cell phone he may have had on him could get good reception at Paradise Falls ....

The short is embedded below the jump, and it's just the thing to watch on a dreary Monday. Enjoy!

I'm pretty easygoing when it comes to marketing and product placement. It's so ubiquitous that I tune it out, or laugh along when it shows up on 30 Rock. I can never really muster up the rage some viewers do when Pizza Hut, Ford, or the iPhone is prominently placed in a movie or television show. The most I'll do is roll my eyes and joke about it later on ("Did you notice that? Lame!"), because I find the big picture to be more important than some high-priced props. That is, I didn't care until Fox proudly announced that Bones will return in two weeks with an Avatar themed episode. (The promo is embedded below the jump for the curious and eager.)

Look, I get why Fox would think this was a slamdunk. It's on their network, and one of Bones' recurring cast members, Joel Moore, is actually in Avatar. I understand that the combination makes the December 3 episode of Bones prime advertising real estate. But come on! Can't you just run some flashy commercials, a new trailer, or "a special behind-the-scenes look" like you did with films back during the good old days? Doesn't anyone at 20th Century Fox wonder if it doesn't look a little desperate to coerce an entire show into the PR game? After all, Avatar was supposed to sell itself purely on the photo-real effects, the world of Pandora, and the name of James Cameron. Why do they need Bones?

Couples Retreat is about four couples, three white and one black. In the American poster for the film, all eight stars' pictures and names are shown. In the U.K. poster, however, one couple is omitted. Any guesses which one? The black one, obviously, or else this wouldn't be a story.

The teaser trailer for Kick-Ass has arrived! Having been subjected to so much hype by everyone luckier than me at ComicCon, it's a bit of a let down because there's just not much ass-kicking going on. It's basically an animated version of the poster, introducing you to the characters while showing a little more blood and smacks. But hey, this is just the beginning and I don't expect them to spill all the cool stuff in the first glimpse.

I do like what I see, though. On the surface it looks like a teenage Watchmen but with a lot of emphasis on how fun it is to be a vigilante. There's no awkward geek humor on display. The characters are young comic book fans, but we aren't subjected to any "Ow, it hurts to be an action hero" moments. Instead, it's all about the action and potential for violence. Kick-Ass is confident! He doesn't shirk from being a superhero. In his mind, he's as worthy as Batman, and he's able to take the pain and punches. I like that, and I expected no less from Matthew Vaughn. My favorite remains Hit Girl, though. Her costume is practical, there's nothing creepy or sexual about her (so far), and her knife-flinging is lethal. Plus, she does appear to have Nite Owl's greatest fan as her father. The resemblance goes further than just the poster, and I want to believe we'll leave this theater saying "This makes up for Bangkok Dangerous, Mr. Cage."

The trailer is embedded below the jump, courtesy of MySpace. Kick-Ass hits theaters April 16, 2010.

Exclusives have become tricky things in our field that I held off sharing these Kick-Ass posters, which debuted on IGN on Friday. But now you might need some inspiration for your Monday in the form of home made teenage vigilantes. Kick-Ass is based on the Mark Millar miniseries, and is directed by Matthew Vaughn. It's had a pretty crazy ride to the big-screen, as when it was first optioned no studio wanted to touch it because of its teenage violence and foul language. Vaughn went the indie route and it's paid off with a lot of ComicCon buzz, fan enthusiasm, and a distributor in Lionsgate.

So far, Lionsgate is handling the marketing well. The poster designs are quite classy (I've put a high-res version in the gallery), which go with the daring approach of not showing a single face. Instead we only get the, ahem, asses of Red Mist, Kick-Ass, Hit Girl, and Big Daddy. I particularly like the nod to Nite Owl in Big Daddy's silhouette. Very appropriate for something that borrows from the real world "heroes" of Watchmen, no?

In a sign that its April 16, 2010 date isn't too far away, the official site went live on Friday and the trailer is set to debut on MySpace in 12 days. We'll bring it to you here on Cinematical, so no need for you to stress ... just us! Hey, we're vigilantes in our own way.