According to TheGoon.com, Eric Powell's endlessly inventive series has just been optioned by David Fincher, who plans to turn it into a CGI movie. (Is this the first movie to be announced via its character's official domain instead of the trades? I'm sure it isn't, but I find it awesome and worth mentioning nonetheless.)

The Goon is a everything-but-the-kitchen-sink (and probably that too) comic that draws comparisons to (and appearances by) Hellboy. I'm ashamed to say I haven't read it, though I don't seem to be alone in that. The series follows the deformed brawler of the title, who claims to be the enforcer for a mobster named Labrazio. The Goon and his sidekick, Franky, are frequently trading punches with all manner of otherworldly creatures, from zombie armies to aliens -- and from what I'm looking at on Dark Horse, it never gets boring. And it's hilarious. Check out the preview of issue #8, and tell me I'm wrong. (There's lots of Goon previews up on Dark Horse's page, spend the holiday weekend checking them out! I'm going to. Fireworks are overrated.)

While CGI would be the best way to capture the top-notch art, I can't help but wish this was in live action. I would love nothing more than to see a real live Goon beat down some lame vampires, or get omens interpreted by a psychic seal. But already, this is gearing up to be one of the best comic adaptations this side of The Dark Knight -- a top notch director in Fincher, and hilarious source material.

[via CHUD]

Every day, another graphic novel is optioned by a studio great or small, and very rarely do they stir much interest in me. They always seem to be a variation on the assassin-with-a-heart-of-gold or superhero deconstruction, which can't even motivate me to pick up the graphic novel, let alone buy a movie ticket. So, it's a rare treat when the trades run the latest comic to be snatched up and I go "Okay -- this one I get." Hiding in Time is one of these.

According to Variety, Warner Bros has bought the rights to Christopher Long and Ryan Winn's series. Time is set in a future where the Witness Protection Program is no longer interested in changing your name and moving you to Tampa -- instead, they send you back in time to hide from those you snitched on. If hiding out in the Black Death to escape your mob buddies sounds too good to be true, it is, as a group of armed thugs begin hunting them down across the ages. It's up to one humble scientist in the Time Portal Division to stop them. (The trades mention that the scientist teams up with a master thief to track down his old crew -- I don't know if that's part of the movie pitch, or if that actually happens in the series.) No director has been named, but Beau Thorne is tackling the screenplay.

Sinister plans and prison releases are nothing new to the world of cinema. You've got everything from Snake Plissken having an explosive implanted within him so that he will save the President, to Leito getting led back to District 13 to help a cop defuse a bomb. But now we're getting an old story of corruption on the big screen. Variety reports that Leverage and producer Charlie Loventhal have teamed up to adapt Jim Thompson's 1953 novel Recoil, with Ralph Pezzullo writing the script.

The project will focus on a man named Pat Cosgrove. He's sent to prison for bank robbery, and is ineligible for parole because he doesn't have a sponsor. Then a dude named Doc Luther pops up, and offers him a job and sponsorship. But the job isn't all work and owage -- it's fishy generosity. He gets housing, cash, cars, and clothing, without having to do much, if any, work. Then, as Variety describes it, he's "set up for murder by the same corrupt political insiders who sponsored his parole." And people say it's rough on the inside...

This could be a fun flick, and it's definitely not the first Thompson text to hit the screen. It's just been a while. The last time his work hit the film world, it was for This World, Then the Fireworks in 1997, but the writer, who died back in 1977, was also the pen behind The Getaway, The Grifters, and After Dark, My Sweet.

I haven't seen Jonathan Levine's The Wackness yet (I know, I know), but I have seen his long-in-limbo All the Boys Love Mandy Lane -- almost a year and a half ago now, at SXSW 2007. It's a smart, expertly made horror film that's been mistreated in a way that Levine, who now has a career despite his debut's fate, should never forgive. As Sony Classics prepares The Wackness for a nationwide release, Levine has lined up two more projects that will take him through 2009.

The first, Positive, is a thriller about a young man who visits his fiancee's family in Martha's Vineyard but winds up being seduced by the woman's sister. The second, currently (though I'm guessing not for long) titled Echelon Vendetta, will be an adaptation of David Stone's spy novel about a CIA "cleaner" (think a superspy version of Michael Clayton) who investigates the death of a friend and colleague and stumbles upon something more nefarious. Levine, who wrote the screenplay for The Wackness but not Mandy Lane, will write both projects, and direct at least Positive. More at The Hollywood Reporter.

Horror, character comedy, romantic thriller, spy actioner... That'll be quite a resume. Now if he can actually convince -- who is it now? Senator Films? -- to put All the Boys Love Mandy Lane into at least a few theaters...

We reported several weeks ago that Tom Cruise was all but confirmed to play the U.S. president in The 28th Amendment, a thriller that was to be directed by Phillip Noyce and co-star Denzel Washington. But now Variety has delivered a hold-your-horses on that story, saying Amendment is being set aside in favor of something else: an espionage thriller called Edwin A. Salt.

This one will star Cruise as a CIA agent accused of being a traitor. He has to go on the lam long enough to clear his name, find the real bad guy, etc.; you know the drill. The film has been in the works as a star vehicle for Cruise for some time, with Terry George and Peter Berg at various times attached to direct it. (The screenplay was written by Kurt Wimmer, author of the recent flop Street Kings.) Now it looks like the reins will go to Noyce, who previously made the action flicks Patriot Games and Clear and Present Danger.

The 28th Amendment sounds fine, and no doubt it will still get made with a different director and co-star for Denzel. But I really like the sound of Edwin A. Salt. Noyce is a very solid director, with 2002's double-whammy of Rabbit-Proof Fence and The Quiet American still looming large in my memory, and he's generally made serious, respectable films (Sliver notwithstanding). We don't know yet how Cruise's troubled Valkyrie will turn out, but Edwin A. Salt -- a heroic role guided by a smart director -- could be a wise move for his next project.

At yesterday's press day for Hellboy II: The Golden Army, the eloquent, elegant Guillermo del Toro had plenty to say about crafting the sequel to 2004's Hellboy, which we'll have at Cinematical closer to the film's opening; he also dropped a few facts and thoughts about his upcoming job helmingThe Hobbit. On the 'facts' front, del Toro mentioned that The Hobbit (which may be two films, one adapting the original novel and the other bridging The Hobbit and The Lord of the Rings with new material) will have a very different look than some of his other films: "The Hobbit will be (presented) in 2.35-to-1. ..." Translating cinematographer to English, that means that The Hobbit will be presented in widescreen, all the better to capture the hills and dales of the Shire.

Del Toro also spoke about the potentially tricky task of making his two Hobbit films in the wake of Peter Jackson's wildly successful trilogy, as well as what kind of material he might bring to a second movie -- and the tricky question of what Tolkien-created material Peter Jackson has the rights to (and can be used to create the two Hobbit films) and what material Jackson does not own the rights to (and can't use in a film). Del Toro's answers may have been short on detail, but they were long on vision. "What we're talking (about) is, obviously, utilizing the materials that are available to us, and the discipline has been to try and know, for my part, everything else -- not to know it and use it, but to know it and not step on those things.

You know, sometimes you just want to get your hands on a studio executive and shake them until they see sense. Straight from the 'why bother?' files, Bloody Disgusting has received a tip that Hostel producer Scott Spiegel has been tapped to direct the third installment of the horror series. Not only would Spiegel be behind the camera for the flick, but he would also be in charge of writing the script. Even though I might not be the biggest fan of Eli Roth or Hostel, I do know one thing: if you aren't going to do something right, don't do it at all.

After the release of Hostel II, it became clear that Roth had no plans on torturing tourists again in the near future, and fans of the series were given the bad news that a third film could be a straight-to-DVD affair. At least fans can take solace in the fact that Spiegel produced the first two films, and has solid horror cred, so at least he knows his way around some blood-spatter. Spiegel's deal has not been confirmed yet, so stay tuned to Cinematical for any updates that come our way.

What do you think? Should Hostel continue without Roth? Or, is the series better off as the sole property of Roth's sick imagination?

There seems to be no end to THINKFilm's monetary problems, which have plagued not only the company, but also the productions that have been picked up by the ailing business. But at least one of them has found a way out.

The Hollywood Reporter posts that Momma's Man has received a handy life preserver from the likes of Kino International, an independent film distributor. The film, which was acquired by THINKFilm back in March (an acquisition announcement was made, but producers say that negotiations were ongoing), had premiered at Sundance this year.

Momma's Man, which sounds reminiscent of Full Grown Men, focuses on a man (Matt Boren) who decides to escape from his life. During a business trip to New York, the guy visits his parents, "and decides to stay, leaving his wife and child behind." Filmmaker Azazel Jacobs even cast his own parents in the film -- underground filmmaker Ken Jacobs and Flo Jacobs.

The film will get a limited release in New York on August 22, and LA on September 5, before a DVD release in early 2009.* Now I can only hope the rest of the pictures find similar luck. The company might be in trouble monetarily, but they know how to pick interesting features.

*Assumed 2009, as THR says "early 2008 DVD release."

According to Variety, Matthew Fox is in talks to play the title character in Warner Bros' Billy Smoke, an adaptation of Oni Press's newest comic book series. Don't feel bad if you're wondering who the hell Billy Smoke is, and why you can't keep up with comic books these days -- it won't be published until next year. Oni Press doesn't even have a preview of it up, so we can't judge it based on six pages.

However, the story goes a little something like this: Smoke is an elite hit man, who is nearly killed during a botched job. He has a change of heart, and realizes that his only way to find redemption is to rid the world of all assassins. It's waking up the ghost of another film in my brain, but I'll be damned if I can remember what it is. Readers?

The series is being written by by B. Clay Moore, who already has racked up some luck in the movie business. His graphic novel, Leading Man, was recently optioned by Universal. And yes, that too is published by Oni Press. I'm a little worried they are actually taking over Hollywood, as this is the fifth book of theirs to be optioned by a studio. The Last Call was bought just last week. I'm not sure what titles are even left to buy at this point -- may I nominate Polly and the Pirates?

One of my favorite documentaries last year was Crazy Love, about a New York couple named Burt and Linda who have been together off and on for 50 years despite some serious setbacks, e.g., the time Burt hired a man to throw lye in Linda's face and blind her. These are people who should hate each other -- she for the way he physically harmed her, he for the way she nags and pesters him now -- and yet they are in love. And yet I, a normal person, remain single. Life is bizarre and unfair, that's the message I got from the film.

Crazy Love did well enough for a doc, but of course a non-doc would reach wider audiences. So now Variety reports that the doc's director, Dan Klores, will make his narrative debut writing and directing a fictionalized version of the story for HBO Films. There's no announcement yet on whether it will premiere on HBO or open theatrically, but either one is a possibility. Crazy Love premiered at Sundance, as have many other HBO Films productions, and sometimes the level of success on the festival circuit determines whether it goes to theaters or straight to cable from there.