Back in January, I alerted you to writer/director Rupert Wyatt's latest film called The Trail, which was set to start shooting this spring in New Mexico. Written by Wyatt, Trail is about a few soldiers on a base in New Mexico who get led on a trail by a Native American woman to help her brother, "who has been badly hurt in mysterious circumstances." Now the film is heading into production this September, and Variety reports that two other films are getting added to the mix.
Through Paramount Vantage, he will adapt Samuel Logan's book, This Is for the Mara Salvatrucha. The book is about a girl named Brenda Paz, who was a teen member of the MS-13 gang. When she became an informant for the FBI, she was killed by fellow gang members. This should be a pretty personal account, as it's getting made with the cooperation of her court-appointed guardian, Greg Hunter, who was not only her defense attorney, but her friend.
Also up for filming is a flick at Warner Bros. called Slipping Into Darkness, which Blake Masters is adapting from Peter Blauner's novel. This one is a "cat-and-mouse thriller about a cop who, 20 years after sending a teenage to jail for life, watches him freed on a technicality."
Between informants and friendships, freed-killer thrillers, and soldiers heading into mystery, Wyatt has his hands full. In the meantime, we can wait for Think Film to release his film The Escapist, which debuted at Sundance this year.
It looks like Natascha McElhone is now getting her chance to shine. For the most part, the actress has had co-starring gigs in films like Laurel Canyon, FeardotCom, and Solaris, but has been overshadowed by her bigger-name co-stars. Heck, even in Californication, David Duchovny steals the show. But now the tide might be turning as she's getting a headlining gig.
Variety reports that she's going to star with James Purefoy in Marleen Gorris'Heaven & Earth for Focus Films. The film, which was written by Malcolm Kohll and Marsha Levin, will focus on "Britain's first female doctor, James Miranda Barry (McElhone), who was forced to disguise herself as a man in order to practice medicine." But of course, it can't just be about the medicine. Set in the early 19th century, the film will focus on her love affair with the governor of Cape Town, Lord Charles Somerset (Purefoy).
It's disappointing that they're focusing on the romance rather than her achievements, but at the very least, it should be an opportunity for McElhone to show off her acting chops. Production is currently scheduled to begin on December 10 in the UK, and will shoot in Cape Town, South Africa in January.
What's with this new obsession with love and taxi cabs? The other day, I was flipping through the channels and stopped on some really bad show about dating. At one point, they start talking about some cabbie in New York who fixes up people in his cab. He's nice, and chats up his patrons, and then some of them leave him cell phone numbers so he can contact them with love matches. An interesting idea -- although it's far from the safest method out there.
But this isn't the only cabbie romance on the airwaves. The Hollywood Reporter posts that DreamWorks has picked up a rom-com spec called Shared Fare from Stacey Harman (Jingle Belles). Instead of a cupid cabbie, "the idea is based on a true experience had by Benderspink executive Langley Perer, who ended up dating a guy she split a cab with on a short trip."
As for what kind of rom-com this will be, the director circling the project should give you an indication: Brian Robbins. Does this mean Eddie Murphy will sign on, since he's starring (and has starred) in Robbins' three most recent films? Or better yet, will marketing teams descend upon cabbies and make them all budding cupids before the film's release? Or start cheap female cab fares in a sort of Ladies' Night-on-wheels marketing scheme?
Alas, like always, I see "Sasha Alexander" and immediately mix her up with Sasha Jenson, the sex fiend from Dazed and Confused. For some reason, I do this every time I see her name. But since it isn't Jenson, let's get back on track. Sasha Alexander, who you might remember from Wasteland or her stint as Gretchen Witter on Dawson's Creek, has picked up an indie gig for herself. Variety reports that she's got a role in Tenure, which stars Luke Wilson and Gretchen Mol as two professors who, well, compete for tenure. But she's also got roles in He's Just Not That Into You and Yes Man, so we should be seeing more of her in the near future.
Meanwhile, Variety reports that Rob Kerkovich, who got to play one of the many partygoers in Cloverfield, is getting a more prominent gig, and one that shouldn't be putting him in monster's way. He's landed a role in Bart Freundlich's The Rebound, which stars Catherine Zeta-Jones and Justin Bartha. (This is that May/December romance flick.) Kerkovich will play a stoner co-worker of Bartha's character. Ah, that sounds like just the sort of company a single mom would want to keep with her new younger boyfriend.
I guess there is always room for another weird form of time travel. A big blue box has been making time travel fun for years on Doctor Who, and now we're getting a wet and wild version. The Hollywood Reporter posts that MGM has picked up a new comedy project by Josh Heald called Hot Tub Time Machine. Doesn't that sound like something right out of the '80s? I could totally see it as a follow-up to Weird Science.
Anyway ... the flick is said to follow "a group of guys, adults who used to be cads back in their heyday, who, after a night of vodka and Red Bulls in a hot rub, travel back in time and set out to rediscover their 'mojo.'" Methinks there will be no room in this feature for time travel rules and paradoxes -- this is sounding like the sort of project that will throw time travel law to the wind ... or maybe not!
MGM exec Cale Boyter says: "We're always looking for ways to stand out from the rest of the pack in today's crowded marketplace, and what better way than to combine hot tub debauchery and the complications of time travel." Oh, the ultimate geek adventure -- perfecting youthful ways whilst trying not to complicate time travel. What I don't get is how this works -- are they going back in time to watch themselves secretly and try to re-tap into their lost lasciviousness? I get the feeling it won't matter; I'm betting this flick will be all about the boobs and booze.
With the end of this month comes final confirmation: Can Sex and the City make it as a feature film? To continue to whet our Sex appetites, a whole slew of clips popped up over on the net. Above you can check out the, erm, fleshed out waxing clip from the trailer, and after the jump there's a wedding announcement, that Cinderella clip, some "coloring," home shopping, and Carrie getting a little bit too "pat on the head," "I've been there" preachy with Jennifer Hudson.
As someone who enjoyed the show (whilst ignoring the idiotic fashions and some of the crappy men), this is looking to be the sort of film that will appeal to fans ... although it will be a little different than its skin-risque HBO roots. A few years passed and now it seems that we won't be getting the usual fleshy shocker from Samantha -- rumor has it that the only woman who celebrates full-flesh is Cynthia Nixon. It's too bad that age seems to be making the women cling to the clothing, but then again, that's SatC for you -- partially stereotype-breaking and partially stereotype-clutching.
It looks like Frank Sinatra's youngest daughter and film producer, Tina Sinatra, has let the cat out of the bag. While talking with Sun Media recently, she discussed a new biopic on the way, from Universal, that would focus on dear old Rat Pack Dad. She started by cryptically saying that the man who would take on the film was "the most prominent Italian-American filmmaker" in Hollywood. First, they guessed Coppola, and then Martin Scorsese. Later, she confirmed that it was, indeed, Marty.
But according to Sinatra, this won't be a big gangster picture. The movie will show him innocent of true involvement with the Mafia: "I don't want him to be driving the getaway car. That would not be fair. But I trust him (Scorsese) implicitly." It seems that Scorsese is in "a reflective period and is willing to present the truth about her father." From the way Sinatra is talking about Marty's involvement, it sounds like he is in final negotiations, but hasn't yet signed.
Should this all get squared away and signed, it will be at least the sixth celebrity name added to Scorsese's roster in the last 4-5 years. There was Bob Dylan in 2005, then the Rolling Stones with Shine a Light, plus the upcoming George Harrison and Bob Marley docs, and The Rise of Theodore Roosevelt.
But what say you? Are you ready for Scorsese to take on Sinatra?
It was supposed to be a story about a British dude who ticks off the celebrity and Vanity Fair masses, relayed in a voice that charms some, but annoys many. But then the first short little trailer for How to Lose Friends and Alienate People popped up, and as Christopher Campbell said last December, "the trailer makes How to Lose look like a Ben Stiller comedy."
Now the international trailer has hit the waves, and yes, indeed, it still looks like a Stiller comedy -- right down to the dog accidentally flying out the window. Where's the snark? (Okay, snark without cute undertones.) I was expecting bitterness, not slapstick -- a questionable lead, not a seemingly innocent Simon Pegg. At least it's got some Danny Huston without the vampiric language and sharp teeth.
Still, I don't know what to think anymore. My world is all askew, because Kirsten Dunst's moments in the trailer actually seemed more interesting than Pegg's bumbling shenanigans. The film will hit screens this fall.
Oh, David O. Russell. The man is completely imbalanced: physical confrontations with George Clooney on set, putting Christopher Nolan in a headlock, going on a tirade towards Lily Tomlin, and arguing with James Caan about whether it's possible to choke and cough at the same time. But say what you will about his stability, he puts out some pretty damn good films.
This week's double feature is all about his deliciously talented imbalance. If you're not up for wildly colorful car racing or crappy-looking weddings in Vegas, maybe some Iraq-set comedy and over-the-top existential intervention is more up your alley. Oh yes, I'm talking about the wildly fun Three Kings and one of my favorite giggle-inducing comedies of all time -- I Heart Huckabees.
We've got about a million comedies out there where the mother-in-law makes trouble -- those sinister, trouble-making older women -- especially the moms of the grooms, who go on to terrorize the brides to be. It's pretty much a cinematic wedding staple by this point. However, it looks like things are switching up a bit for the new comedy I Hate You, Dad.
Variety reports that Columbia Pictures has picked up David Caspe's comic pitch, which focuses on a couple who are about to get married when the dad of the groom moves in, for whatever reason. As soon as he does, he "promptly begins feuding with the bride-to-be." Super fun!
There's lots of way this project can go, but I'm not too optimistic considering the fact that Happy Madison is producing it. I'm going to go out on a limb and guess that Kevin James, Adam Sandler, or both of them will be in it, considering the last handful of HM movies to hit the screen. If not, there's sure to be at least a few other Sandler buddies in the mix somehow.
First there was Josh Hartnett as a drifter. Then came Demi Moore as a captive courtesan, while Woody Harrelson sign on to be a bartender (once again) and Shun Sugata grabbed an uncle role. Now, we've got a bad guy. The Hollywood Reporter posts that the big bad of Bunraku will be played by HellboyRon Perlman, just days after he signed on for The Job.
Guy Moshe's film will be set in a Sin City sort of hyperstylized universe, and as Jessica originally shared, it's got a whole bunch of weird artistic genres that it's pulling from -- puppets, video games, origami, comic books, and even German expressionism. Hartnett's Drifter teams up with a samurai played by Japanese actor Gackt, and they go after Perlman's Eastern European gang lord. I ... have absolutely no idea what to expect from this. The story is simple enough, but I can't imagine how origami, puppets, and other mish-mashed styles will fit into this martial arts story. Oh yeah, and if that wasn't enough, Hartnett originally compared it to Alfred Hitchcock's Rope.
Will we really be getting a film that's one long take of CGI, puppets, martial arts, and fights between good guys and bad guys? It sounds more like one of those weird dreams that wakes you up and wonder what your dream mind was thinking.
I'd probably go to see A Good Old Fashioned Orgy just for the title. It's got punch, and it is a great, brief description of what's to come. It sort of reminds me of The Best Little Whorehouse in Texas for a new generation. But the story is different, and instead of a big-busted country singer, we're getting a little slice of Saturday Night Live. Variety reports that Jason Sudeikis, Will Forte, and Leslie Bibb have signed on to star in the film, which will be directed by co-writers Pete Huyck and Alex Gregory (King of the Hill).
Sudeikis will star as a 30-year-old dude with wealthy parents. However, he's "forced to grow up when his father decides to sell the family vacation home in the Hamptons, bringing an end to his tradition of throwing elaborate summer theme parties. Wanting to go out with a bang, he enlists his friends to throw one final party." Yes, it's an orgy. I guess he doesn't mind seeing all his friends nude, or bumping bare butts with a buddy.
There's great potential for this flick, which begins production this month in North Carolina. But it makes me wonder -- how long until we get another sex-centered comedy? Sex comedies used to be more about the thinking, and then maybe the doing, but now we've got both an orgy and Zack and Miri Make a Porno on the way. What's next?
If you're still trying to decide whether you want to go to see Speed Racer tonight, maybe this will help your decision. Yahoo has posted the first seven minutes of the film, which you can check out above. Man, if car races looked half that cool, I'd be a total fan.
I know, some of you aren't getting the whole appeal of this flick, and frankly, I've never been interested in the story until this movie. There's just something about a real-life cartoon that looks all sorts of cool. (I've always wondered what a cartoon-turned-live action film would look like if it was created in a more cartoonish manner.) And major props for making the theme song front and center. I remember how ticked I was when I left during the credits of Spider-Man and missed the theme song I had waited the whole film for.
Check out James' review of the film here, and stay tuned for Scott's review at 11:30AM.
I think it's kind of funny that in Eugene's post about T4's start date, he says: "barring some Terry Gilliam-scale disaster." I wonder if the disaster could be a long and arduous SAG strike? The New Zealand Herald (Reuters) pointed out today that the production is moving on despite the distinct possibility that the movie industry could get hit with another strike very soon.
Right now, the SAG contract expires on June 30, which could very easily become the start of another strike. (Union leaders say they hope to reach an agreement, and of course they do -- but that doesn't mean they'll get one.) Nevertheless, Terminator Salvation: The Future Begins has started filming in New Mexico this week, throwing caution to the wind.
But this doesn't mean they'll speed through it. A source told Reuters there is no intention to finish production by June 30, and that legal precautions have been taken in case the strike happens. But still -- stopping for an undisclosed period of time right in the middle of production is very far from ideal.
It seems a bit cocky to me, to go forward now rather than waiting, but what do you think?
Should T4 be moving full steam ahead regardless of the strike? Or, is this just a careless or cocky move?
I know that Ben Foster is a really talented actor and I'm quite sure that he will go really, really far in his career. I wouldn't even be surprised if he becomes a Robert Redford type -- hugely popular and long-lasting. But still ... whether he's got wings as a mutant, or helps some creepy vampires attack a small Alaskan town, to me he's always the cute, goofy kid from Disney's Flash Forward.
Although the show was after my time, I would always stop to watch it when flipping through the channels. It was tres cute and starred Foster as Tucker and Firefly's Jewel Staite as Becca -- two best friends and neighbors who have been close since birth and are now in middle school. Above you get to check out their nervous kiss and final moment of the show. Man, they were cute kidlets.
This one is even better to check out Foster as Tucker, but embedding was disabled.
Back in January, I alerted you to writer/director Rupert Wyatt's latest film called The Trail, which was set to start shooting this spring in New Mexico. Written by Wyatt, Trail is about a few soldiers on a base in New Mexico who get led on a trail by a Native American woman to help her brother, "who has been badly hurt in mysterious circumstances." Now the film is heading into production this September, and Variety reports that two other films are getting added to the mix.
It looks like 
What's with this new obsession with love and taxi cabs? The other day, I was flipping through the channels and stopped on some really bad show about dating. At one point, they start talking about some cabbie in New York who fixes up people in his cab. He's nice, and chats up his patrons, and then some of them leave him cell phone numbers so he can contact them with love matches. An interesting idea -- although it's far from the safest method out there.
Here's some Monday nibblets for you:
I guess there is always room for another weird form of time travel. A big blue box has been making time travel fun for years on Doctor Who, and now we're getting a wet and wild version. 
It looks like 
We've got about a million comedies out there where the mother-in-law makes trouble -- those sinister, trouble-making older women -- especially the moms of the grooms, who go on to terrorize the brides to be. It's pretty much a cinematic wedding staple by this point. However, it looks like things are switching up a bit for the new comedy I Hate You, Dad.
First there was Josh Hartnett as 
I'd probably go to see A Good Old Fashioned Orgy just for the title. It's got punch, and it is a great, brief description of what's to come. It sort of reminds me of The Best Little Whorehouse in Texas for a new generation. But the story is different, and instead of a big-busted country singer, we're getting a little slice of Saturday Night Live. 
I think it's kind of funny that in 
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